milton wrights perfect deep soul classic *keep it up* has always been a top shelf record, everything about it is almost flawless! whether it is miltons silky vocal delivery, the incessant guitar driven back beat or the total space funk vibe of his omnipresent arp-2600 synthesizer this record has it all. originally released on tk discos more soul and funk orientated alston label which was home to many legendary artists and records, this 1975 sunshine classic never fails to make people move. a classic rare groove indeed. *the silence that you keep* takes up side-b, a jazzy, flute driven love song that again features milton s perfect voice and some fantastic arrangement. a real gem of a record, with the original 45 changing hands for over £100 a time in used condition. this is the first time *keep it up* has been re-issued in its original 45 rpm format with the original alston label artwork. it has been re-mastered, re-pressed and made available again with the permission of tk disco / alston records, miami florida, usa.

180 gram. vinyl only. gatefold cover. so after more than one year of silence we are finally ready to show you next record. this time it is our friends from italy who make a very nice groovy underground sound - verrina & ventura. 3 different tracks waiting for their owners to proof their quality and ability to make people dance and enjoy. so.. enjoy !

introducing us to a new musical step, we welcome label boss bloody mary with her latest production *striders* ep. armed with her tr-909 and access virus synthesizer, the dame-music label owner breaks a two year long silence with a solid, punchy and attractive release. featuring marys vocals, the tunes are progressing as *striders* through their length and step after step add new elements that enhance the flow. a highly anticipated return of bloody mary as a solo artist that we are proud to present on dame-music.

mulen marks the arrival of its second vinyl with the release aloft from tish. this kiev-based lady is definitely seen as a key player in the ukrainian underground. the original mix of aloft is stripped-down vogue techno with a funky baseline and tick-tock percussion. the track is flashing out the skippy, atmospheric style one might call mulen s signature sound. under number two we have samples of silence where tish explores possibilities of rhythm and space. the track progresses through a clean path of precision drums to a warmer meditative lead. on the b-side cadenza native valentino kanzyani plugs 9 minute remix of the titled aloft. quoting a minimal running techno, kanzyani stockpile some much-needed tension while keeping the arrangement uncluttered. his hypnotic groove beneath a blunted and ponderous baseline deliver us a darker, more cosmic vibe.

third part of well known acid arab

entirely off the safe path, nonconformity and badass sounds are merging for snork #72 to send the ultimate sos for genuine techno. snork enterprises meets remute out in left field with three tracks not only to save our souls, also to save our sound of raw, underground techno. in a distorted space of sound, eclectic morse-codes come floating while persistent base lines keep the machines running. sirens sound and tortured steel is building up a sphere of vibrating noise spreading all over the hull and sustainedly screaming for sos. soaring beats forecast the last burst of strength. a freak wave of forceful sounds is rearing up. scared minds are facing the darkness of endless depth, still longing for the last beam of moonlight. yet, the all-embracing wall of infinity is merciless closing the entire surface. in an ambience of distortion, finally everlasting silence is drawing through the dark deepness devouring every vivid glance. from the distance down below there remains one inward echo - the ultimate sos.

den eigenen stil verfolgen, sich aber gleichzeitig immer wieder neu erfinden: fuer press promotion viele künstler ein dilemma. nicht jedoch für dole & kom. ihre salto mortale ep kommt nämlich mit drei produktionen, die auf faszinierende weise ähnlich und doch sehr verschieden wirken. die aehnlichkeit ist von hintergründiger natur, druck und zugkraft entstehen fast beiläufig aus dem kontext. verschieden sind dagegen die stimmungen der titel.

after the night sea journey of francesco clemente-heinrich dressels split release il faro, minimalrome returns with a concept album inspired by the silence and the noises of the plague. heinrich dressel, umberto, anton maiof, alessandro parisi, and vercetti technicolor explore the solitude, terror, stillness and unsophisticated chaos of the epidemic in a 5 tracks lp that is limited to 250 hand-stamped copies and comes with a 12 pages color a5 booklet.

• guy brewer returns to his avian label with a a two-part ep, arrangements in monochrome
• comes with a title specific printed inner and outer sleeve
• big support from the usual avian fans...

corrupted from memory, no longer the power / its creeping up slowly - the last fatal hour after the mind-expanding ms20-fest that was his studio barnhus debut earlier this year and with a warehouse-maddening remix for naphta fresh in the stores, simon haydo returns to his home away from home with a glowing four-track ep chock-full of beautiful techno ranging from the mischievously boombastic to the straight up drugged. artwork by johannes brander.

none of them make music for the twenty-second century. the duo is constantly deconstructing its stylistic boundaries and follows traditions only to destroy them. on stage, signup (anymouse, big zis, grenzgänger) is the master of ceremony, michal ho (tuning spork, nicetry, etc.) is the selector. vocals glide over beats generated in little boxes full of flashing lights, sometimes smooth, sometimes razor-sharp. the debut album *one of them* will be released on nicetry records and comes on double 12 inch vinyl with download code included.

ploiesti romania area childhood friends andu simion, dan gheorghe and bogdan ardeleanu are inspired by detroits house sound and berlins techno. their resulting collaboration is best described as deep techno and their first release is appropriately on moods & grooves known for pushing both envelopes. *les sons de la lisiere* is a reflection of the beauty and silence of nature found in the suburbs of ploiesti.

iron blu, uk producer and broadcaster on the mighty intergalactic fm, has releases on biotech, rothmans, plastic fantastic, out of bounds, endless illusion, vivod and pending on new imprint lbl. his production career has spanned krautrock/cosmic, post-punk, electrofunk to what he does today.

my mind made of darkness, has known continuously interrupted flash taken back by the stronger, following ones. ii&#769,,,,,ve felt my limbs moving without having control. the other side of me, the most unknown to me, the most instinctive one, took place. dissimilar sounds have battered my most secret dreams, without giving them peace anymore. never existed soulsi&#769,,,,,s foot steps have obscured my silence, giving me only restlessness. eyes open again, suddenly, silence. -utopian soul-

octave minds, the group composed of chilly gonzales & producer boyz noise has a self-titled project due for release on september 15th. the 12-track project has one lone feature, the vibrant and child like fun of tap dance featuring chance the rapper and the social experiment

early dj feedback: xdb, dj qu, martinez, dewalta and valentino kanzyani
after 4 years of silence, kreon & lemos are back with their first release on their own imprint, equivalence. having already a number of collaborations on labels such as be chosen, resopal and we are, the duo finished a number of projects that are going to be released exclusively on equivalence. the first record offers two dancefloor oriented techno tracks with heavy low frequency, modulated delays and heavy filtering - a modern take on the duos past collaborations.

anatomy of melancholy is the desire to bring what may be tetro s vision of modern jazz music. animal lover ep is a perfect introduction to it.

das album von 1982 ist als vinyl-lp wieder erhältlich! -the seven voyages of captain sinbad- war das debütalbum für den deejay captain sinbad (alter ego des jamaikanischen produzenten carl dwyer). der künstler startete seine karriere beim sound of silence soundsystem als junger kollege von sugar minott und machte aufnahmen für dillinger s oak label. aber es war der produzent henry junjo lawes, die musiker der roots radics mit scientist & soldgie hamilton am mischpult des channel one studio und das greensleeves label sowie der graphiker tony mcdermott, die diesen longplay-klassiker verwirklichteten. schwergewichtige riddims - u.a. shank i shank, soloman, cuss cuss, things and time, bobby babylon, hunter man!

at the moment ahu sohrab presented his first release on the beautiful shahr farang label, i was bewitched by the incredible intensity of his sound.. very sophisticated and subtle..one of the few occasions >deep< seems to match to describe. for the second release, it s lenta who continues this path of scapes and ambiance...

scubas phenix triptych reveals its final panel. a bite-size story in and of itself, and a fitting end-part to the greater sum, 3 feels like the latest acme of a diverse career. this is traditional beginning-middle-end story-telling: silence s call-and-response foretells of a blue funk ahead - funk in the figurative - as nineteen eighty transposes old chicago into an ad rem context. the disquiet continues on the other side, with plateaus exacting techno pulse underscoring astral synth work. tempo and temperature are pushed to an extent worthy of the resolution fade provides with its informal pace, acoustic disposition and celestial chimes

the newest offering from the crescent, courtesy of gacha bakradze (crescent | apollo | 2nd drop).

filastine, außernationaler multimedia-artist und musikproduzent, reißt auch mit seiner ep aphasia grenzen ein und nimmt risiken in kauf. feingearbeitete, akustische details ergießen sich in soundflächen. ueppige vocals fließen ueber boxenruettelnde baesse. requiem 432 eroeffnet das album mit harmonischen gesangsebenen, die in perkussiven crescendi übergehen

death of a cheerleader spielen indie rock mit einflüssen von postrock und doom. fuer dancing around the fire of volcano reiste die band nach stockholm, um mit cult of luna-drummer und soundengineer magnus lindberg (ef, grande roses) zusammen zu arbeiten. das ergebnis ist ein homogenes, natürliches und dunkles klangbild.

for the 6th release of the macadam mambo trax series, we introduce giorgio luceri on the label. giorgio luceri is not a new comer as he has already released a lot of eps and an album on jamal moss chicago-based label mathematics recordings. working on spiritual atmospheres, deep emotions and naïve melodies, giorgio delivers us a strong piece of techno/acid music.

n5md is proud to present fall into fire, the new lp from dag rosenqvist. fall into fire is rosenqvists first album since the self-inflicted conclusion to his jasper tx nom de plume in 2013 with the stunning an index of failure lp (handmade birds). while no longer veiled behind a moniker rosenqvist fittingly presents his most personal and arrestingly raw release to date. there are threadbare echoes of loss, fleeting moments of rage, and a restless undercurrent of remorse that rosenqvist presents with few concessions. fall into fire finds rosenqvist at his most achingly radiant while displaying some of the most contrastingly vast passages of any of his discography. fall into fire was mastered for maximum dynamics, all perceived silence is intentional. the vinyl lp includes a download code.

• vinyl reissue of impossibly rare hospital productions cassette tape
• comes in a brand new die-cut house jacket with title specific inner sleeve
• big support from the usual avian fans...
originally released on hospital productions as a limited cassette edition of 42 copies, avian is now proud to announce a vinyl reissue of dual actions auto body. behind dual action stands mathew folden from k.p., who presented his first solo cassette release for dominick fernows label in 2012. dual action combines the eerie atmospheric sound collage of crowded chinatown streets with the deafening silence of a new apartment and the hard industrial beats of subways and freeways. a dynamic, physical autonomism. body complete

huge support from: marco carola, richie hawtin, riva starr, gorge, sossa, mihai popoviciu, stacey pullen and many more... suro records is pleased to presents it s new release -be quiet- an explosive tech house loaded with a powerful bass line and a great percussion that make virtually impossible to honour the name of this excellent piece. the side b contain a deep twist with a dark atmosphere wonderfully remixed by el mundo, half of famous dutch duo - el mundo & satori- needs no introduction, his magnificent remixing skills have brought an exquisite track that will spread this amazing sound all summer long.

7 years after the last zhark vinyl release, heavyweight techno nihilist & labelhead kareem opens up another chapter of advanced technoid noizcore with his 11th full length ep on zhark. after a few years of silence kareem had just reemerged with releases on foundation sonore (fs 01), porto ronco on death of rave or mesmer on zhark digital but is now threatening to inspire more uncompromising percussive hostility. let this just be the beginning: whereas side a emphasis on a very distinguished dance floor groove concept of machine funk embedded in metal layers side b leaves room for a less formatted approach building up tension which is leading to a free firezone of depravity. while methodic differentiations can be discovered on each side, the listener is continously confrontated with haunting sonic extremism.
pressing on dark red coloured and black marbled vinyl.

fresh and raw house cuts from the antruum.

with more than 10 years since the beginning of his carreer, el mundo is part of the well-known artists within the international electronic music community. together with a sound that is best described as psychedelic, deep & groovy, it is his refined musical vision that have made him a respected name in his league. as a dj, el mundo played worldwide and at the nation’s best venues and festivals, including awakenings, welcome to the future, doornroosje, studio 80 and utrecht’s poema. he s joining 8bit with a strong 4 tracker right on time for the upcoming festival season.

we are glad to introduce this new ep by the french duet acid square dance aka nicolas villebrun (society of silence) and hervé carvalho (acid arab). recorded during jam sessions in paris, here are 3 new killer acid tracks, 2 raw and intense floor burner on the a side, and a kind of deep balearic ballade on the b side.

it is a two heads job. parisians producers pawn heart and fareed (also half of the techno duo society of silence) deliver a first split ep. for over a year, influenced by the raw sound of detroit and chicago, they were exchanging tips and compositions, catching each other, when possible, in the cold but intense urban landscape, drawn between northern paris neighbourhoods and banlieue.

der französische elektroniker m83 schrieb den soundtrack zu -you and the night- (-les recontres d apres minuit-), dem ersten spielfilm seines bruders yann gonzalez, der 2013 in cannes seine premiere feierte. musikalisch weicht m83 von seinem bekannten sound als künstler ab, und orientiert sich für den score an der intimität französischer filmmusik der 1970 er. Ähnlich wie beim soundtrack für - oblivion - ist auch hier wieder die norwegische sängerin susanne sundfor mit von der partie.

after several months of -silence-, downbeat is here again. the 3 chairs member, marcellus pittman is the man responsible for -do you like music ep-. -our time is now- and -extra credit-, are two detroit-flavoured house tracks with sequences coming from mars and melancholic keys with the unmistakable marcellus pittman mood. the release is closed by -happy to be here-, a gloomy downbeat-hip hop track made with mpc.

really cool pack from pushing red, feat. superb uk bass / techno tracks from until silence & stickman

nach dem erfolg von -drink the sea- und der 2011 folgenden ep -we can make the world stop- (beide auf dem eigenen label glass air veröffentlicht) katapultierte sich die band auf die oberen ränge der tourenden live-acts im bereich dance-music. dazu gehörten schlüsselspots auf major festivals, wie coachella, lollapalooza und electric daisy carnival. the glitch mob absolvierten ebenfalls schon eine eigene headline-tour durch die usa, europa (koko, brixton electric) und australien und verkauften dort prestigeträchtige venues aus. im februar 2014 kam ihr neues album -love death immortality-, was neue territorien erkunden, weniger introvertiert, aber trotzdem die glitch-mob-essenz wahrend.
limitiertes record store day bundle bestehend aus 2x12 inch + 10 inch auf mehrfarbig marmoriertem vinyl plus downloadcode.

ein trommelochse steht auf dem acker, ataneus hat ihn gezügelt, den racker. große beats und dub im takt, >the surface< und >derivative< sind in die satteltaschen gepackt. mit >breaking the silence<, auch im remix vom mollono.bass, geht’s auf die reise zum frischen gras!

the unknown heißt nicht nur der erste song, den sie für ihr gleichnamiges zweites album geschrieben hat, dillon thematisiert hier die instanz im leben, für die es keinen namen, keine beschreibung, keine grenzen gibt. das unbekannte kann alles sein: die sehnsucht, die liebe, der verlust, die vergänglichkeit, die angst oder das verlangen.
die vinyl-lp erscheint inklusive cd-version des albums.

rough acidic and grainy techno from the details sound crew. strictly limited copies, vinyl only, no repress

out-there, loosely alternative house related, explorative electronica ep.

rising from the dark streets of cairo we proudly present you the first release of the new label from the land of the pyramids: the magic movement.
on the *in between reality ep* noema invites you to an unheard psychedelic trip: like through a reverse prism, he melts down kraut rock, afro-american house drums and cosmic jazz into forbidden sounds of frenzied dancefloor rituals. outside traditional paths, these driving grooves and polyphonic structures take the adventure seeking dancer to dionysian highs and places never been before.

with france’s long-fallow club scene back in international resurgence as paris storms back into fighting form, europe now has found a new source for yet-unheard music. it was a long time brewing, but names like concrete, katapult, zadig, and society of silence, have begun to appear in the international clubbing circuit, and the growth is not limited to the capital. further south in lyon, a city quickly gaining its own renown for busy club parties booking bigger names, there exists a smaller circle of energetic operators whose name is also spreading rapidly and whose recent accomplishments include nuites sonores, boilerroom and more.

14 new tracks of crunchy, greasy, punky, bluesy, gutsy rock n roll on heavyweight vinyl in gatefold sleeve.

compound eye is drew mcdowall (formerly of coil) and tres warren (psychic ills and messages). *journey from anywhere* is their second long-player release following *origin of silence*, an art edition lp on the spring press label. this double lp features 4 sides of improvised electronics that lead the listener into the dark recesses of the duos subterranean explorations. each of these works move at a slow and considered pace, gradually unfolding into a transportive blur of dark psychedelic minimalism. like elements of coil long form works this is a music which has the potential to melt time, open space and create a flowing web of liquid memory. a sublime record for those who like music that encourages travel.

for every producer the first album is a big thing and filled with lots of emotions and love. finally after two years of work, after their last single sugar - cocina india with a straight pumpin sweet n candy remix, lepetris album >acoustic signs< comes out on wanted beatz with full of natural sounds. inspired by his impressions, lepetri speaks in his tracks from minimal to techno about his experiences and places, such as the album name implies, an acoustic sign in the musical underground culture without losing the sense of club music. so it was important for him to bring his experience and adventures in form musical expression. from rocking beats up to melodious strings, each turntable can be served in the club. a club album which fits to each phase of a party. therefore, the first vinyl goes more towards house and the second vinyl contains more techno elements. check it out and enjoy!

the follow up to marios highly successful remix for downtown party networks vocal beauty space me out on best kept secrets mother label silence music, machinarium is a four track ep, which delves even deeper into dream like soundscapes where pop heroes meet for a collective dance on the dance floor of a distant space station.

by bursts of silence that seemed woven deafening persistent and grinding agnes earrings, scream, hand drill, it is that it is possible to mix, they will break the hustle and bustle, to listen to all the way from the village interruption. did the richard where am i? his bed was empty. indifferent, in the field miles away pills and his grandmother danced his vision to horrowshow beat repeatedly reckless and unrestrained cruel twist, richard has a gruesome demise of more than 20 contorting mess the limbs of his . in the rush of his early, he had forgotten to shut the door behind him. early support from perc, james ruskin, francois k, four tet, ben ufo, pangaea, pearson sound, 2562, untold, tiga, call super, inigo kennedy, nathan jonson, randomer, errorsmith, cassegrain, paula temple, alex smoke, optimo...

bedroom community releases daniel bjarnasons over light earth on september 30th 2013. this is the icelandic award-winning composers second solo-album and third release on bedroom community, hot on the heels of his solaris collaboration with labelmate ben frost. bjarnasons critically acclaimed debut album processions was hailed by time out ny as coming eerily close to defining classical musics undefinable brave new world.on over light earth the intensity of bjarnason s orchestral voice is captured through meticulous close-micing and multitracking, a recording process that sets this recording radically apart from that of conventional orchestral recordings.